They do not give way to the waves

Together with Maria Kling from Film Production Kalliope (Potsdam, Babelsberg), we have been working on a new full feature film for cinema since the beginning of 2017: we call it the Kiribati project. It will be (again) a participatory film. We gave it the working title: “The do not give way to the waves.”

The film will be shot and edited together with the people of the islands of the Republic of Kiribati. Kiribati is located in the central Pacific. Due to the melting of the poles, the rising sea level threatens to flood the islands in historical short time to come. But the future of the republic is still unwritten. Not a few believe that it will inevitably sink. Others think the islands can be saved. For our film crew, Kiribati is also a symbol, a warning to the world. If we do not finally learn to treat our planet with respect, it will put us in front of unimaginable difficulties everywhere. The flood in one place is the drought in another place.

Slider_Humans of Kiribati_Vasiti Tebamare - The Hungry tide at Betio 2 20 2015

Here you can watch the pitching video on the new film project of Studio Kalliope and the Kameradists. A warm thank you goes out to camera operator Raimon Kataotao und Mike Roman from the “Humans of Kiribati” for the material they shared with us. The photo in the slider of our site was taken by “Humans of Kiribati” / Sandra Dương “The hungry tide at Betio”. 

You may want to share this Pitcher by klicking on this link and downloading it and uploading it onto your website or social network site.

Sachamanta screened on Zakinthos

Since fourteen months the workers of the local radio station ERA on the island of Zakinthos have occupied their station. After the TV and radio stations of the former Greek state broadcaster ERT started to become a major protagonists of the public criticism of the Troika and the Greek government policies, the Greek government decided to close down the stations. more

Sachamanta on ERT Open

Ert-open-fasa-v3

7/28/2013: This week Sachamanta will be screened by a television broadcasting station for the first time. On Thursday August 1st 2013 6pm and on Friday August 2nd 2.30am the Greek public TV station ERT-Open – currently occupied by its workers – will screen our documentary Sachamanta with Greek subtitles. more

Join

2/13/2013: Sachamanta is shown in selected movie theaters and at festivals. On the other hand, every community center, each seminar room, every classroom and any youth club can be turned into a cinema. So if you want to show the film yourself, just get yourself a projector and a monitor and write us an email to mail@kameradisten.info. more

Knowledge is power

2/1/2013: Who wants to make radio requires the necessary resources. Transmission towers and frequencies are not for download on the net. However, a fine piece of software is. more

It has been filmed…

1/27/2013: About four weeks the Kameradists were traveling in Argentina to bring back to the Campesinos their own cinematic history (Sachamanta) as well as the reactions of the german audience on this story. We were accompanied by the support of hundreds of people at home. more

Sachamanta

7/21/2012: The north of Argentina in the year 2000: At a congress the peasant and indigenous communities organized within the Movimiento Campesino in Santiago del Estero (MoCaSe-Via Campesina) decided something previously unheard of: They will build and operate their own radio stations. more

Almost done

4/22/2012: Sachamanta is nearing completion, but there is still a whole lot to do. At the moment, we are in the final production stages, but still need to do have the following tasks: stabilization, conversion, color correction (adjustment of light and color is necessary because the raw material was taken in different years), embedding the film music, sound design, and completion of the animation sequences. more

Concepting Sachamanta

3/26/2012: In many ways Sachamanta is not a typical documentary: The film’s concept was not clearly set in stone before shooting, but was developed as we watched the raw footage; The interviews were partly created by the interviewees themselves; The film’s story is told four times in different ways, without repetition. more